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The lyrics are furiously delivered, and they feature Kendrick rapping about his career and his success. When played through a subwoofer, it’s loud enough to cause internal bleeding. The bass on this song is absolutely insane. The song immediately following BLOOD is (fittingly) DNA, which is one of at least two certifiable smashes that will come from this record. Kendrick, even more than before, is making his targets known. It stays that way for about half of its scant running time, before shifting into a looped soundbite of Fox News’ Geraldo Rivera quoting lyrics from Lamar’s 2015 smash Alright, which became an anthem for the Black Lives Matter movement. That’s about the best way I can describe BLOOD (all of the songs, like the album, are in all caps and stylized with a period, but I’ll leave that last part out in order to avoid grammatical confusion). The album starts off typically enough, with a song that sounds like a calm apocalypse. When people talk about this album years from now, they’ll talk about how it was just as much of a 180 as To Pimp a Butterfly was. Lastly, King Kunta is a funky call-and-response stomp that directly references Kunta Kinte, the rebellious slave at the center of the miniseries Roots. Backseat Freestyle is typical rap braggadocio, yes, but it’s being told to us by a narrator who’s deeply unsure of himself. Swimming Pools (Drank) is a song about the perils of alcoholism that also masquerades as a party jam. In fact, one of his biggest strengths has always been disguising injustice and heartbreak inside enjoyable beats. While I think it’s a little less sonically inspired, there’s nothing wrong with Kendrick making music fit for a club.
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He ditches the soupy live bass for the 808 drum machine, a move that gives this album a lot more commercial appeal. That’s not necessarily a bad thing, because Kendrick proves that he’s willing to reinvent himself once again. I still discover new storylines, sonic interludes and anecdotes every time I listen to it. It was immediate, heartbreaking and awe-inspiring. In my view, it’s the best album of the decade so far. On the latter, Kung Fu Kenny just went ballistic, blending P-Funk, freak jazz and spoken word into a kaleidoscopic masterpiece. On the former, Kendrick wove a gripping Boyz in the Hood-esque narrative plucked from his own personal life. good kid, m.A.A.d city and To Pimp a Butterfly, are in my opinion, stone-cold classics. I also think it’s important to know that the Compton MC’s last two albums stand as two of my favorite rap albums of all time. Some albums just simply don’t sink in on the first listen. Yes, I wanted to like this album, but I also wanted to give it a fair shake. They’re dense, intricate puzzle boxes, guarded by passwords and riddles. I shouldn’t have to listen to a record this many times to determine my opinion, but Kendrick Lamar albums aren’t like most albums. Fortunately, the record has really opened up to me after several listens. I disliked the boring minimalism of the first half, and was too annoyed by the first half to really give the second half a chance. I thought it was tacky, uninventive and safe. Tribbett won the best gospel album and best gospel song Grammys at the 2014 show.This has been quite the rollercoaster. “Every time I play the song in my house, my family rushes to dance together and celebrate, even during this pandemic! My prayer is that this song does the same for your house or wherever this song is heard as we hope in the promises of a God who has never failed,” Tribbett said in a statement. “We Gon’ Be Alright,” which fuses elements of trap music, includes lyrics like, “Troubles come and go, even on the mountain high or valley low/Never let your faith go, never let your faith go.”
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Tribbett, 44, said he’s hoping to offer some light to the world during a time of darkness. The new track interpolates part of Lamar’s anthemic 2015 song, which was co-produced by Pharrell and won two Grammy Awards. Tribbett released the new song “We Gon’ Be Alright” on Friday. NEW YORK (AP) - Grammy-winning gospel singer Tye Tribbett has fused Kendrick Lamar’s hit song “Alright” into a new tune to send a message to people during the coronavirus pandemic: We are going to be all right.